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Colorado poet, songwriter, and musician Al "Doc" Mehl submitted a photo along with his poem, "The Braided Country Road," which is set in the Sand Hills of Nebraska. We asked if he had additional photos, and he sent those along with the following commentary:
The poem was inspired by a visit to the home of Ken Moreland, a short drive from Valentine Nebraska, following the celebration of Old West Days in October of 2007.
After a jaw-dropping visit to Ken's barn-clutter "museum" of cowboy heritage and western memorabilia, I started out toward home in a soft drizzling rain. Despite having a rig with four-wheel-drive, I found myself slipping and sliding in the tire ruts of Ken's mile-long road that slices a winding path through the milk-chocolate brown soil of the Sand Hills country.
As I worked to direct my vehicle into the least treacherous of the many grooves, I kept noticing braids of five parallel tire ruts. As I finally reached the gate and turned out onto the highway, the first stanzas of a new poem began to recall the history of vehicular travel across the rolling hills of these ancestral ranches in northern Nebraska.
The Braided Country Road
The rolling Sand Hills of Nebraska is the dirt that I call home,
Where all the land is kinda granular, a sug’ry sandy loam.
Now if your dream’s to have an orchard or a farm, you’d better pass,
Because this powdered milky soil is only meant for growin’ grass.
Of course there’s nothin’ wrong with grass, it lays the groundwork for a ranch,
And that’s become this family’s livelihood, at least my humble branch.
We leave our tracks upon that vegetation, foot or horse or wheeled,
Until the grassy wrap is creased, and then the land’s no longer sealed.
For doin’ heavy work, my ancestors used wagons and a team,
A method good enough to last for generations, it would seem.
But when it all got motorized, a truck or car to haul the load,
That seemed to mark the first appearance of the braided country road.
See, if you drive out through the pasture with that modern horseless carriage,
You’ll leave trails of flattened grass blades runnin’ parallel in marriage,
But with time, the grass is worn away, the tires now newly slicing
Into soil that feels like drivin’ through a cake’s milk choc’late icing.
Those two ruts grow ever deeper, as the soil just melts away,
Eventu’lly, your undercarriage starts to brush against the clay.
That’s when you start a brand new track, your left tires hold the center crease,
Just half a car-width to the right, the road secures a wider lease.
But now the wagon ruts have doubled, grassless scars soon number four;
Before that center ridge is lost you’ll maybe choose to carve one more.
You move out left this time, and line the right side down the center groove,
And plow the fifth and final trough, until it’s fin’lly time to move.
It’s time to start a brand new path, before you’ve pressed your final luck,
To find one tire is off the ground, and you’re high-centered, and you’re stuck.
You jump the whole track way out wide, where all the grass is still alive,
And start the weaving once again, and make another braid of five.
O’re many months, when these five ruts become too deep to navigate,
You’ll start anew, out on the other side, a mirror-image mate.
And through the years, you will complete the trio, three long braids of five,
With ev’ry rut now deep and lifeless, but each thinning ridge alive.
These long artistic prairie carvings, as they wind and serpentine,
Plot out a course across the landscape, triplets lovingly aligned,
Yet pulled together at the gate, a sinew bind placed tenderly,
Just as the mother braids the daughter, native aborigine.
It’s at that binding gate you’ll pause someday, and come to realize
That all three braids are near impassable; they’ll lay before your eyes,
But you’ll be paralyzed to choose which rutted muddy track’s the best…
It’s time to build another gate, and bring the road in from the west.
© 2008, Al Mehl
This article may not be reprinted or reposted without the author's written permission.
"Doc" Mehl atop Chalk-Eye, Sand Hill country of Nebraska
Windmill and stock tank, Sand Hill country of Nebraska
One-room school house, Sand Hill country of Nebraska
Signature boot-topped fence posts, Moreland Ranch
Al "Doc" Mehl has a previous contribution to Picture the West:
to accompany his poem, "The Great Depresson"
Read more about Al Mehl and more of his poetry here.
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Picture the West.
Send your views of the West.
We're looking for images that give a glimpse of the ranching, cowboy, and rural and working life of the West of today and yesterday. We welcome vintage and contemporary photos: family photos, images of where you live and work, and the area around you.
If you have a photo and story to share, email us.
photo by Jennifer DobrowskiPhotographer and journalist Jeri Dobrowski sends photos of this winter's petroleum exploration work in her area of Western North Dakota/Eastern Montana, along with two vintage photos. She provides captions and descriptions:
Seismic Vibrator Vehicles
These strange-looking vehicles are used in petroleum exploration, referred to as seismographing. They've been roaming western North Dakota and eastern Montana since last fall, administering coordinated "thumps" with a center-mounted piston; the readings recorded by a network of cables strung in carefully prepared grids.
With powerful headlights and flashing warning lights, they were quite the sight this winter when days were short. I often wondered what folks passing through must have thought. They could easily have thought some sort of military mission was taking place or perhaps that aliens had landed.
We've had seismographers around before, but never with this type of vehicle. These machines are less invasive than bore-hole technology of the past.
Servicing a Vibe
My husband and I had watched the vibes for several months and noticed them gathering in large clusters on occasion. We had no idea what they were doing, so went to investigate when the fleet established a base camp south of our house.
After spending an hour or so watching, we better understood the end-of-day ritual: check the oil, air up tires, scrape mud and compacted snow from the underside, blow off dust, clean the windows and mirrors, fuel up.
In the morning, it takes them about an hour to get the machines started, get the frost scraped from the windows, the diesel engines warmed up, and the thumping pistons functioning.
Seismic Recording Truck
The blue cord running through the snow to the truck is not an electric extension cord. It is part of the seismic grid.
The plentiful snow and fog we've had this winter has made the job utterly miserable for the crew. A large percentage of them are from Brownsville, Texas; some are from Mexico; some from El Salvador.
They head out each morning in work groups of six per pickup, laying cable and batteries on top of the ground. That means digging through the snow or having a snowplow go ahead of them.
Men on snowmobiles and four-wheel utility vehicles replace the batteries as needed. Once they have the cable grid in place, then the vibes do their work, thumping diagonally across the terrain, the results recorded by instruments in trucks such as this.
End of shift as the crews gather back at the supply depot near our home. The vans are waiting to take them back to Glendive, Montana, 58 miles to the west.
Heavy snowfall, wind, and fog have made for a perfectly miserable winter by our standards. These guys are from Texas and points south. We were constantly amazed at how they were always on the job, despite what the Northern Plains was dishing. I told Rob that they reminded me of our ancestors who settled this country: tough, adventurous, hard working.
They've made fine neighbors. Because they work everyday, and need to get the workers in and out, they hired snowplows to keep the roads open. There were several times it would have been impossible to have gotten to the highway, five miles away, had they not opened the roads.
GeoTechnical Corporation Crew
Miles City, Montana
Circa 1944-45
My father worked on a seismograph crew. That's him in the front row, far left.
Back then, they would drill a series of "shot holes" and put a charge of dynamite down each hole. Then, they'd string a series of receptors attached to a cable on top of the ground and set off the charges. They recorded the vibrations in a recording truck. The resulting information told geologists what type of formations were in the area, helping them determine where to drill for oil or natural gas.
(NOTE: Dad said this was the second time they took the group picture. The first time, he was dressed up like the rest of the crew. For whatever reason, they had to retake it, but he didn't get the memo. He was working on his truck when somebody came and told him he needed to come over for a picture--now! He came as he was.)
John Janssen Drilling Water Well
1948
Dad worked for GeoTech for a little more than two years, making 72 cents per hour. They worked in Montana and Wyoming in the summer. When it got cold, they went South. He spent one winter in Oklahoma and one winter in Texas.
When they ran out of work, the crew broke up. Dad came back to Montana and went to work for a drilling company.
Eventually, he got his own rig and started drilling water wells. Dad drilled for a number of years, traveling over quite a bit of eastern Montana. He also did some trucking and got started in farming and ranching.
Of his time spent operating a rig, he commented, "I done real well in the drilling business; made quite a lot of money. Course, I was a damn fool and wasn't able to keep any of it. I had to spend it all. It came too easy."
Jeri Dobrowski has contributed many other interesting photos to "Picture the West," including:
Striking photos of her prairie flower garden
Highway signs from the eastbound I-94 Rest Area between Rosebud and Hathaway, Montana
More highway signs, from the eastbound I-94 rest area, near Hysham, Montana
Photos and historical markers from Montana's Highway 12
Photos of her family's veterans for Veteran's Day
A special Fourth of July photo
Photos about her grandfather and "all the things he ever rode..."
Family photos of generations of veterans and some additional World War I photos
Family photos from Yellowstone, from the 1930s, 1940s, and 1950s
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Read Jeri Dobrowski's Cowboy Jam Session and more about her here.
See her gallery of Western performers and others at her site here.
Share
your photos for
Picture the West.
Send your views of the West.
We're looking for images that give a glimpse of the ranching, cowboy, and rural and working life of the West of today and yesterday. We welcome vintage and contemporary photos: family photos, images of where you live and work, and the area around you.
If you have a photo and story to share, email us.
Tell us your stories! If you have a photo to share, email us.
See an index of all past photos here.
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