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Honored Guest

Featured in "The Big Roundup," an anthology of the best of CowboyPoetry.com.

About Janice Gilbertson
Poems
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About Janice Gilbertson:

Janice writes: My husband, Ron, and I live in the beautiful foothills of the Santa Lucia Mountains on the west side of the Salinas Valley in California. I was born and raised here in the valley. I have been horseback since I was four years old. My father ran cattle here all of my growing up years. I began riding in these hills nearly fifty years ago and I am still doing just that. I am a lover of the land and all God's critters and it seems those things become more and more important as my time goes by. I write my poems from past experiences and a darn good imagination. I learn about myself when I write a good poem. It makes me reach deep to find a way to express something that is not only a thought, but also a "feeling." At the same time, I love humor, so things that make me smile are worth writing down.


Yosemite, 2006, riding Danny and leading Nevada

 

Poems

I Knew That
Line Dance Lesson
How Can We Lose?
Weather Report
Miracle in the Night
The Nighthawk's Dance
Freedom Ride
Night Time's Promise
Show Girl
Giving Into Lonesome
Grandstanding
Lesson Days

The Wild Side of the Fence
Sometimes, in the Lucias
The Watchers

The Pasture of Frogs

 

I Knew That

On a red and silver morning in the golden month of June
I hit the trail a'trottin' long so as to reach my goal by noon.

These Lucias are my home-sweet-home, trails traced upon my mind.
Don't consider me a braggart, but I could likely ride 'em blind.

Past the mossy spring-ponds, left over in a damp creekbed,
'Neath perfect, arching Sycamores I held my hat and ducked my head.

I traveled t'ward the South and West and watched the landscape rise.
Past rocks and trees and hollowed logs, all familiar to my eyes.

My thoughts began to wander, as my thoughts so often tend...
I rode my pony mindless 'til our way became a blurry blend.

I rode high above deep washes where yellow wild oats grew,
Then scrub and Oak and Pinyon pine where season's warm winds blew.

Then sometime just thereafter, I came 'round with a start...
Someplace back at who-knows-where, my trail had fell apart!

I gathered up my wits and skills and aimed my horse another way.
No problem here, I knew this land. It was just a short delay.

The high-noon sun moved over and the shadows chose my route,
But a shaley-slide and winter wash sent me 'round about.

The next I knew we were restin' 'neath a tree I knew too well...
We had rested there some hours ago, where it's morning shadow fell.

But I wasn't worried. No, not me. I knew that place by heart.
No way could I be lost up there, cuz I am much too smart!

Off we stuck with purpose cuz I wasn't messin' 'round no more,
...Down the switchback, cuttin' corners...Why! There's that blasted Sycamore!

What ya 'spose was wrong with my dang horse? It's a common-knowledge fact,
Just drop your reins, have trust in him. Why, he'll simply re-enact...

The day was shot when I saw the gate that enters my own land...
BUT I KNEW THAT...I know this place like the back of my own hand.

© 2003, Janice Gilbertson
This poem may not be reprinted or reposted without the author's written permission.



I live in the foothills of the Santa Lucia Mountain range

 

We asked Janice how she came to write this poem and she told us: "I Knew That" was a fun one for me. I am a proud volunteer member of the Monterey County Sheriffs Mounted Unit and we are primarily a Search and Rescue Unit so we try to learn as much as we can about the why's, how's and where's of people who loose their way. So maybe that is how this poem came to be.


Janice Gilbertson (left) and her mustang with the Monterey County Sheriffs Mounted Unit

On November 10, 2005 Janice was recognized as the Monterey County Sheriffs Mounted Unit Volunteer of the Year at an event sponsored by the Monterey Sheriff's Advisory Council.

 

Line Dance Lesson

I was walkin' up town past the hardware store,
I noticed a poster stuck on the door.

Out the corner of my eye, I gave it a glance,
Saw that it said, "Come On and Line Dance."

For an older cowgirl, I'm pretty light on my feet,
I can do pretty good by a good steady beat.

So later that evenin' when the chores got done,
I pulled on my best boots and headed out at a run.

I got to the hall -- 'bout the last to get in,
The first thing I noticed, there weren't many men.

Real cowboys don't line dance, I've heard some folks say
Real cowboys ride broncs, brand calves and buck hay.

I've seen 'em on tv in Stetson hats and fancy clothes,
Pants tucked in new boots with real pointy toes.

The gals are all wearin' short skirts or tight jeans,
Some lookin' real cute, some bustin' their seams.

Well, now we're all here, there's a dozen or so.
The teacher up front says, "We'll start out real slow."

She's sayin' some stuff  'bout stomps, heels and toes,
And how we'll look nice if we stay in our rows.

I know right quick this will be hard for me,
I'd forgot the first step when we got to step three.

The folks all around me are vinin' and turnin',
It's becomin' apparent, I'm pretty slow learnin'.

Now they're all at the end and I'm still at the start,
I reckon I missed the whole middle part.

She puts on some music, says "Now--let's do it faster."
Now it becomes a real bad disaster.

Dang! I can't remember my left from my right,
I'm startin' to sweat and I'm lookin' a sight.

A guy on one side gives me a stare,
Says "What'cha doin' here? Ya'll should be over there."

Now we all turn around and I'm thinkin', Oh! Brother!
They're all goin' one way, and I'm goin' another.

A gal on my right is lookin' real mad.
I'd stomped on her foot, guess it hurt pretty bad.

I tell her I'm sorry, guess I went wrong,
"By the way," I say sweetly, "How long's this dang song?"

Finally it's over and I'm headin' for the door,
The teacher is hollerin', "Don't go there's still more."

Well, I ain't goin' back. I ain't takin' a chance,
I ain't gettin' beat up just learnin' to dance.


© January 2000, Janice Gilbertson
This poem may not be reprinted or reposted without the author's written permission.

 

We asked Janice how she came to write "Line Dance Lesson" and she told us: "Line Dance Lesson" was fun to write 'cause it was so darn true I made myself laugh. A few years ago my husband and I took lessons at the rec (wreck) center here in our small town of King City. First of all it was a challenge just to stay up that late. The first few times we went I laughed so hard at myself I couldn't do a thing right. Loving to dance and being a horseback rider, I was amazed at my lack of coordination. The poem is too true.

As anyone does, I love to laugh and I would have to say that Baxter Black is my favorite poet. I write when the notion strikes, and almost always due to remembering a true incident. I've written a few sad or serious things, but they are usually for someone else. I like the funny stuff. "I like to think I can bring to mind a funny picture and make someone laugh."

 

How Can We Lose?

We been plannin' and packin' and countin' the days,
We redone our gear 'bout eight differant ways.

When we get to Montana we'll be meetin' our guide,
Not a care will we have, we'll camp and fish and ride.

We load up the truck and put 'er on cruise,
Winnemucca Or Bust! How could we lose?

OK...so the first night was NOT a real good one,
We lost most our money... wasn't much fun.

We head on up 'tward Idaho way,
Ever run out'a gas two times in one day?

Well, finally we get there ..not feelin' so great,
Can't remember exactly the last time we ate.

The road to the trail head was kind'a hard on the truck,
We did nine creek crossin's ...on five we got stuck.

Well, we feel a little weak, but excited anyway,
A man shakes our hand, says "Just call me Ray."

Now it's turnin' dang cold, and we wait and we wait,
Then it's startin' to rain and it's gettin' so late.

Ray's boys and his packer come get all our gear.
Our feet are 'bout froze off from just standin' here.

The stocks finally ready, but I've got a hunch,
We're leavin' so late there won't be no lunch.

Well, finally we're ridin', we head up the trail,
It's gettin' some colder..it's startin' to hail.

We're still thinkin' how much we're gonna have fun,
Likely up higher we'll get in some sun.

We ride and we ride, and it's a beautiful sight!
Ray stops at this place, says, "We'll camp here tonight."

Not knowin' him well, I study his face,
He can't really mean we'd camp in this place.

What he was thinkin' I'll never know.
We'd ridden 'til we were in two feet of snow.

I guess he could tell by my cold, steady stare
There was no way in heck I was gonna' stay there.

Ridin' down to the lake's the new plan he had.
But he looks somewhat worried, says,"The trail might be bad."

Well, finally he finds it and down we all go,
It's steep and it's rocky..we all go real slow.

We come to a ledge where it seems the trail ends-
We look over the edge..and there it begins.

Now, I know this ain't right, and I ask myself why?
'Cause to get down to there this horse has to fly.

There's no turnin' back now, for that it's too late.
But I'm knowin' right here, good thing we ain't ate.

Ron's horse teeter totters and disappears out'a sight,
Then I see from behind 'em they landed all right.

Now, the packer's behind me and tries to get past,
I don't think 'cause he means to..his string's just to fast.

Well all of a sudden it all falls apart,
I'm holdin' my breath and clutchin' my heart!

The pack strings all buckin' and throwin' a fit,
Our gear's spread all over..they're trompin' on it.

I look up from the bottom and what do I see...
There's underwear hangin' on the limb of a tree!

Well needless to mention we're just about beat,
We're cold and tired and needin' to eat.

Now Ray's been braggin' 'bout how he can cook,
He makes up his own, don't go by no book.

I'm tremblin' and droolin'.. can't hardly wait,
I'm tryin' real hard not to grab for my plate.

Don't know what is, and don't really care,
I take a BIG bite...Oh, what a nightmare!

I jump right up, spittin' and chokin',
It's the worst stuff EVER, I ain't jokin'.

Well, we go to our tent and try to get warm,
I can tell by the wind, we're in for a storm.

The thunder starts rollin' and there's lights in the sky
But through all this racket...I hear water run by.

I stick out my foot and let out a shriek!
Between me and Ron there's flowin' a creek.

We're grabbin' up stuff to try to keep dry...
Geez, it's too late, now I'm startin' to cry.

We stand under a pine in the dark of the night,
Ain't nothin' to do but wait 'til daylight.

Seems a long, long time since we put 'er on cruise..
Hollered "Winnemucca Or Bust! How can we lose?"

© Janice Gilbertson
This poem may not be reprinted or reposted without the author's written permission.

 

Weather Report

There's somethin' I've been noticin' lately that really sticks in my craw,
Fact is I'm thinkin', it ought to be made against the law.

Now, we been havin' a long dry spell, and things 'er lookin' pretty sad,
When the dirt's so dry it can't make a clod, thats gettin' pretty bad.

Everything on the place has a coatin' of dust,
Only good thing I know is nothin' won't rust.

No sense plantin' when nothin' here grows,
Puttin' out seed's just feedin' the crows.

The cows are gettin' gaunt and the hay stack's gettin' smaller,
The good spring's dryin' up down in the holler.

Guess we'll have to be lettin' the hired man go,
Can't pay his wages, the market's so low.

Now, we're just about comin' up on the part,
Made me think about writtin' this piece from the start.

See, when evenin' comes 'round we turn on t.v.,
Just waitin' to see what the weather will be.

Now, these folks on the news are young and pretty smart,
They all went to school to learn the weather tellin' part.

These days they're usually real pretty girls,
Showin' maps with colors and lines and swirls.

This is the part thats makin' me mad,
They talk about rain like it's somethin' real bad.

Now I don't understand, but maybe you'll know,
What the heck do they think makes things grow?

Do they know where they get the food they eat?
The clothes they wear or the shoes on their feet?

They wouldn't be happy, ain't no doubt,
If they turn on the faucet and no water comes out.

How long do you reckon they'd love that sunshine,
If they were livin' on a place like mine?

Somebody should tell them to try to refrain,
From bein' so happy 'cause it ain't gonna' rain.

© February 2000, Janice Gilbertson
This poem may not be reprinted or reposted without the author's written permission.

 

Miracle In The Night


My breath comes fast!
I hurry, walking, then trotting!
It was ten when I was here last.
 
I've been doing this since Sunday night.
This time I overslept.
In two hours it will be daylight.
 
The grass is wet with a heavy dew.
The cold slides up under my jacket.
The light is dim, the moon nearly new.
 
I stop every hundred feet or so.
I strain to hear any sound,
So I can choose which way to go.
 
The pasture is big and slopes West.
I hope she's not down in the trees.
My heart is too loud in my chest!
 
I am looking for a black mare in the night.
I know she knows I'm here.
I don't want to intrude with my flashlight.
 
Finally! I hear a grunting moan,
Then, whoosh, like throwing a bucket of water.
I see it's feet in the second the light is shown!
 
I sink down on the ground,
Mindless of the cold wet grass.
I softly say her name, then not a sound.
 
I can see steam rise in the night time light.
I hear her licking sounds.
It's head pops up! It seems alright!
 
I can smell the odor of birth in the cold air.
Emotion wells up inside!
And this isn't my first time to be there.
 
It's getting lighter. I've been here over an hour.
My joints are stiff from the cold.
I'll come back after coffee and a hot shower.

© February 2001, Janice Gilbertson
This poem may not be reprinted or reposted without the author's written permission.

 

The Nighthawk's Dance

The young nighthawk rides a circle around the bedded herd.
He sings a soft tune to the flat-eyed faces and answers a night-callin' bird.

Mostly a man, but at times still a boy, he wonders at the loneliness of his draw.
He misses his home and his first love, then halts the feelings with the clinch of his jaw.

The care-takin' wrangler with the foresight to predict the gloom of the first-time night guard,
Had chose the old night-horse that had been many a first nighter's pard.

The young cowboy's eyelids felt gritty and dry and unaccustomed to parting the dark.
He didn't even know the last time they drooped, and his unreined horse continued his arc.

Her hair was so black, it shined electric and blue, and streamed with the turn of her head!
Her dark eyes were huge and sparkled with light and her gaze left nothing unsaid.

The music he heard was loud and fast! the fiddle bows sang and flashed!
They whirled and twirled up into the sky, dazzling and a million-star splashed!

Hearts pounding with passion and feet flashing fast, they flew across the night sky!
Petticoats raised showed her small slippered feet touching stars...making starry sparks fly!

He longed to slow down some and pull her closer, put his arms around her small waist.
But...frustration intruded, the energy slowed down and his passion was seeming displaced.

The fiddlers gave in to a sweet tinkling sound, and the stars gave into the moon.
He felt himself falling and grabbed at the dark...all this to a jingle-bob tune...

He lay on his back, hat all askew, the old sorrel blew soft in his face.
Ashamed and afraid he bolted up fast and peered through the dark in disgrace.

He mounted up quick and rode stiff and alert, hardly allowing the blink of an eye.
That he danced in the sky 'til he fell off his horse was a secret he'd keep 'til he died.

© 2002, Janice Gilbertson
This poem may not be reprinted or reposted without the author's written permission.

 

Freedom Ride

Wake me just ahead of dawn, between starry night and new day's light.
I'll close the door without a sound, and walk the path that's pasture bound...
                                                                         For this I need no sight.

I'll listen for the pinetree owl to ask, " 'whoo' passes by?" "Not to worry." I will say, "It is only I."
I'll hear the coyote conversation travel 'cross the sky, and from his hidden hillside den, 
    Grey-Fox's throaty cry.

I want to find that trail to ride to where there's only peace of mind. Take me to the 
    mountain one more time.

In a time that travels much to fast, I'm a dreamer wishing for the past, and this is my connection.
The rattle of the gate chain will bring them up the slope at a leggy lope, out of dark's direction.

Their clover breath will blow warm and sweet, memory perfume I'll always keep...aromatherapy 
    for me.
I'll choose the one to share my ride and lead the other by our side, and off we'll go to see what 
    we can see!

I want to find that trail to ride to where there's only peace of mind. Take me to the 
    mountain one more time.

I'll wear silver spurs with jinglebobs and as I ride along, I'll hum a patriotic song about this land
     I love.
I'll let my horses reins swing free and try to move in harmony and not disturb the nature we 
     are part of.

I'll sing soft songs of flags and freedom to hearing, twitching ears, words to help me quell my 
     fears of life's uncertainty.
My ride will take me back in time, remind me how it is that I'm...living life so free.

I want to find that trail to ride to where there's only peace of mind. Take me to the
     mountain one more time.

Quick! We'll hurry up the trail. My heart will beat to eight hooved feet...This will be a glory ride!
Just in time we'll leave the night and top the ridge to meet the light, me astride the friend I 
    ride and one beside.

Together we will face the East, and this is where I'll find the peace I wish for.
Another privileged day for me, living life so rich and free! I have no need for more.

© 2003, Janice Gilbertson
This poem may not be reprinted or reposted without the author's written permission.

 

Night Time's Promise

Let's ride at night through a blue-shadowed canyon under a night-light sky.
Let's choose a trail that is North star bound under a high moon's watchful eye.

Ride your best horse and I'll ride mine too, and we'll trust them to travel a surefooted trail.
Let's use fancy spurs we've been saving for someday and silver bridle that hangs from a nail.

Let's laugh at old stories sing old cowboy songs and share hopes for time still ahead.
We'll shed daylight worries, sad thoughts and bad thoughts and wrong things that somebody said.

Let's take this ride together, giddy on fancy and freedom and dreams.
Let's shoot for the stars up that silver-lit trail, track promise by the light of moon-beams.

We'll ride a good ride through the night time air t'ward the renewing dawn
With reinchains swingin' and spur rowels jinglin', let's meet the new day head-on.

© 2004, Janice Gilbertson
This poem may not be reprinted or reposted without the author's written permission.

 

Show Girl


They streaked through the gate at a high leggy rate and cleared out the warm up pen
Calamity bound at the speed of sound, they circled again and again.

Her handsome steed could fly indeed but his head began to bob and duck
Ten times around he churned the ground and then he commenced to leap and buck.

Her Stetson sailed, her elbows flailed and she rode like a marionette gone wrong.
Her legs were swingin' and her spurs were ringin' and that horse just kept goin' strong.

Her buxom figure moved with vigor, caught up in centrifugal force.
She began to slide from side to side, her generous bosom chose her course.

Her eyes grew so wide, I could see from the side, false lashes stuck in her hair.
Her pearly teeth chattered and then they clattered as the stick-em shook loose in there.

Her rouge disappeared and her color went weird when her blood all headed south.
I don't think she could even blink and she sure couldn't close her mouth.

Her horse started weavin' and his sides began heavin' an he coughed up a green gob of stuff.
He had wore him a trail all 'round the rail and he looked like he 'bout had enough.

But it just wouldn't end and he caught his wind and he raised his tail half-mast,
His teeth were bared and his nostrils flared and he left us all aghast,

She drew up her knees as close as you please and gripped the horn with all her might.
With his legs stepping high and his head in the sky, they seemed about to take flight.

A few more rounds of leaps and bounds and suddenly he just up and stopped.
His ears lay splayed and his back kinda' swayed and his head just quietly dropped.

My bumfuzzled brain was feeling the strain as I watched them calmly head to the gate.
I gawked in surprise when she stopped to advise, "Y'all better warm up or you're gonna be late."

© 2004, Janice Gilbertson
This poem may not be reprinted or reposted without the author's written permission.

This poem appeared in the RodeoWyoming coverage of Cheyenne Frontier Days in July, 2005

 

Giving In To Lonesome


Her long angular legs, with bony knees poking at her pant legs, sunbleached and threadbare,
Disappear into oversized, kneehigh boots, toes stuffed with burlap and worn beyond repair.

Her bare brown hands that no longer noticed the cold, had bent and fused until there was no pain.
The right rested in its place on her thigh, the left let its crooked fingers weave the leather rein.

It was his tattered, dirty sheepskin coat she wore, unbuttoned to the cold early air,
And..it was his old blue scarf 'round her throat, shaped by the sweat of his neck and the knot he'd tied there.

She sat an old bay gelding, a little too narrow chested and slightly splayed.
He was stoved and gaunt with age, hip bones wide, a long high-withered back some swayed.

They stood for a moment inside the pasture gate, both shifting old bodies for comfort's sake.
She legged his ribby left side gently and they tuned to ride the ancient fence, north, to the break.

'Neath a cast iron sky with not a single glint of guiding star, she rode the dark before dawn.
By the instincts of a thousand rides, they traversed the trail by memory of days bygone.

There was a time when she would ride here on snorty colts..,their morning fresh stride dancing her along!
What a grand time they would have, just hopin' to find a stray or a little bunch where they didn't belong!

There are no cattle now. Not for a decade. But old habits hang on like old barbed wire...
His fence pliers hung in their scabbard, there to twist a wire or tap a staple, should she desire.

Ghost calves bawled for their mamas and handsome bulls bellowed to the long-gone cows on the lowland.
She still sees him on his black, up on the Zig Zag trail...and he is sitting his saddle grand.

Time's trickery confuses her and she curses her old mind where his image lingers...
A bank of fog knuckles over the high ridge and grips the canyon floors with wet, grey fingers.

A harsh chill shudders her thin body and sends gooseflesh down her bony spine.
The familiar sounds and relived images cruelly tease her lonesome mind.

For the very first time, she turned back on her unridden trail, leaving life as it were...
For the first time in over fifty years she rode home and left the gate stand open behind her...

© 2004, Janice Gilbertson
This poem may not be reprinted or reposted without the author's written permission.


Janice Gilbertson writes: Well, I certainly don't mean to sound morbid or self-involved, but this past year was a year of loss for me. My father, my brother, friends and dear little pets all went to their home beyond and I suppose when that happens it is natural to have thoughts of people who end up alone and lonesome. We write what we feel, right?

I suppose it became harder for this once strong lady to hold on to her connection than to just let it go. If she is "real" and out there somewhere...I wish for her Peace.

 

Grandstanding

From my highfalutin', front row, fence rail seat
Where I balance on broadside and boot heels, discreet

To enjoy the early morning equine event
That pretentious ponies so often present.

The stage light streaks high from o'er the east sky.
Horse shadows lay long on the pale alkali.

They send subtle signals a watcher may miss.
A flick or a twitch means that or means this.

Bay mare directs with a pistol-shot snort.
Dunny and Dan dance a three beat cavort.

Heads toss tangled manes and they taunt with an eye,
They mill and they weave and they nip and defy.

They leave at a lope to a boundary imposed,
And as they are racing act two is composed.

Under the influence of fabricated fear,
They play to a predator who lurks frightfully near.

Their hooves churn the stage dust to drift and to float,
And beat 'neath my breastbone, the sound they denote.

Muscle bunches and springs, bunches and springs,
Rhythm glints colors their shining hides bring

Right past my grandstand seat again and again,
I, who longs to be the ultimate equestrienne.

My empty fingers bend for the feel of the rein,
And I sway on the rail with each ride that I feign.

I ride through each bog and stiff-legged leap.
For rearing I'm up, for stops I sit deep.

My fence rail plunges and spins left and right.
My spine flexes keen, my bootheels grip tight.

I am audience participation at it's its best
But bay mare writes the script and cues for a rest.

This show will run long, repeating, repeating.
As, hopefully, will I...I hold reserved seating.

© 2006, Janice Gilbertson
This poem may not be reprinted or reposted without the author's written permission.


Janice told us: It is nearly impossible for my "insides" to sit still when I watch a horse run and play, or when I watch a good cow horse work in the arena. They really can put on a show on a cool early morning. There is a 'pecking order' that dictates who gets to do what and when. In this case, my bay mare really is the Grand Dame. When I was a young girl I would slip off the fence rail onto a warm smooth bare back and let my horse carry me around the corral. We didn't thunder around bridleless, although it was always a girl's dream. When I was writing this poem I could see myself, feel myself, riding each one of my horses through their antics astride those smooth bare backs.

Last December (2005) I attended a workshop given by Paul Zarzyski at the Monterey Cowboy Poetry and Music Festival, where he spoke about using the "sounds" of our words in our poems. I tried to do some of that in this poem and it was a fun challenge. Thanks to Paul.

 

Lesson Days

In the silver cold of morning when the sun just comes to rise
When ice lays thin as window glass and floats there on the trough
Frost glitters on the new green earth like diamonds in my eyes
I pull my jacket closer, find my stirrup and we're off.

My little sorrely gelding, flush with youth and opportune
Goes steppin' short and prancy with ne'er a care for me
With clippin' hooves and jinglebobs we play a rowdy rigadoon
His legs are full'a crowhops and he's on a morning spree.

I tell him he'll be sorry when his day has come to end
But he doesn't pay no mind to me or heed a word I say
I tell him he should listen for I'm speakin' as a friend
He just gives his bit a chomp or two and cocks his ears away.

Oh, yer thinkin' yer a smarty now, ya think ya know it all
There's a hump beneath my saddle and I know what's on yer mind
Yer thinkin' you could leave me here in a heapin' sprawl
But I'm ready for yer foolery and won't be left behind.

We might have to climb the ridge, I say, where digger pines grow tall
And we might have to check the springbox up in Mickey's canyon
We might have to chase that wild cow, the one we missed last Fall
By sundown you'll be learnin' how to be a good companion.

You won't be jiggin' down the hometrail, that I guarantee
You'll be right polite and mindful and stridin' long and slow
You'll be wishin' you'd a'listened when I warned ya how it'd be
I'll be sorry to be saying you'll be reapin' what ya sow.

© 2006, Janice Gilbertson
This poem may not be reprinted or reposted without the author's written permission.


Sorrely = sorrel color
rigadoon = lively dance for pairs

Janice told us: I have a little sorrel gelding who tends to bow up a little when he doesn't get ridden regularly. My Dad always said the only thing that will make a
really good horse is wet saddle blankets. He would frequently remind me that
my horses were too fat and spoiled. I couldn't argue that. In this poem I refer to Mickey's canyon and that really is a place for me. My very first horse when I was a little girl was named Mickey and she died at a very old age on the place I grew up on. My father borrowed a tractor and buried her there in that canyon where he found her. It has been fifty years and I still think of her. I told my husband, Ron, that this poem sure wouldn't win any awards for being "deep" but it sure could be "snappy."

 

The Wild Side of the Fence

Windshield wipers slap-slapping the sleet away
Radio cowboy croonin' the cowboy blues
Big tires whinin' on the frozen asphalt
Warm air blowin' strong on toe-tappin' shoes

County road pickets and five strands of barbs
Run neck and neck at seventy miles per hour
Thoughts as clear as a foggy side window
As soulful as a fat meal and hot shower

Take no notice of the little grey draw
Just there, on the wild side of the fence
One strong-armed stone's throw from comfort
A band of five huddled in defense

Coarse winter coats lay in wet cold designs
Muscles quiver from flanks down to hocks
Bony spines humped, heavy heads held low
Tangled manes hang in long ropey locks

A masterpiece of misery in the sage
Spirits suspended in thin icy air
Instinctual longing for better days
Not a frost-laden breath left to spare. 

© 2007, Janice Gilbertson
This poem may not be reprinted or reposted without the author's written permission.

Janice says she was inspired to write this poem while traveling home to California from Idaho. She told us, "We usually see a few wild horses in Oregon or Nevada. Sometimes we stop for a closer look, but most times we zip on by. I have seen some looking healthy and fit and I have seen some that break my heart."

 

 
Sometimes, in the Lucias
Sometimes—on a ridge in the hard, hot air, where deer hooves clatter on the chalk
Horned toads hide in plain view and jackrabbit trembles in the shadow of hawk
 
Sometimes—I hear sounds, a bee buzzing on the sweet sage, the singing gnat at my ear
The music of shifting, falling shale beneath the pads of something wild, come near
 
From the time I was just a small child, I rode long days out on my own
I wonder, now, at my comfort. Perhaps I was never really alone.
 
Sometimes—it is their voices I hear, not words, but the sounds of words
That rise from canyon shadow or fly through the air with swifting birds
 
I can hear the thrum of man-talk and the melody of women's voices high
Children's giggles with the singing gnat, and infants fuss with spotted fawns' cry
 
If I leave the ridge and ride the trail to where a spring flows sweet and free
Sometimes—when my lips touch the pool, the reflection there is not of me
 
The mountains of Santa Lucia harbor spirits of those who came long before
And, sometimes, now, I follow the trails of Padres, Salinans and Conquistadore
 
How I long to sit with them beside a shady, singing willow creek
Or ride beside a spirit horse up-trail to a glorious coastal peak!
 
They beckon me to painted caves. They bid me welcome to adobe walls
And though we share no common blood there is a sort of kin who calls...
 
Sometimes—I lay in silent dark and ask, if ever I should ride away
Though I may go with heart and soul, will my spirit choose to stay?
© 2007, Janice Gilbertson
This poem may not be reprinted or reposted without the author's written permission.
 
I have lived here in the eastern foothills of the Santa Lucia Mountains of western California for over fifty years. The range is a little over one hundred miles long, rising from near Monterey and ending in San Luis Obispo County to the south. The west side juts up from the Pacific coast and its floral and fauna is influenced by the ocean mists and fog. The east side where I live tumbles and then rolls down to the beautiful, fertile Salinas Valley. It is much drier here on this side, but there are rivers, creeks and springs that bring relief to the land and animals.
There were at least three Indian tribes in the range and surrounding areas, but it was mostly the Salinan-Jolon Indians who lived in this area. The San Antonio Mission is not far from here, maybe fifteen miles as the crow flies, but twice that far to drive. The Padres and settlers are the history of Jolon and surrounding area.

I was seven years old when my family moved into this canyon and I began riding my old horse around the roads and trails. With two brothers quite a few years older than I, I was very much a loner and our horses and dogs were my best friends. It was only natural that I would fall in love with the land.

Now, my front porch looks west to hills and high ridges and the back yard shows off the Gabilan range across the Salinas valley. I never ever tire of it. "Sometimes, in the Lucias" came directly from the center of me. As I worked on writing it, I could hear the sounds and smell the scents just like I did when I rode alone as a child.

 

 

The Watchers

He lays in the dust of the well traveled trail and watches through know-it-all eyes.
Hidden in shadow and gray shaggy hide he's a stalker in wild disguise.

He's a gangster by night when he trots with his pack and howls to the spirits in the dark.
But...by day he's a loner, a sly one who spies and lives up life on a lark.

It has long been believed he's a bearer of spirit...or a taker, a trickster, a thief,
So righteously taking what he deems as his, no matter his victim's belief.

                                            *********************

I scold myself for the tremble of my hand and the unease that squirms inside
Premonition prickles the back of my neck as I pull the window curtain aside.

And of course he is there and returns my stare through amber kaleidoscope eyes
"He's just a coyote," I say, and I'm not his prey. The calves and the lambs are his prize.

But the words of Native folklore haunt me, or perhaps it's common sense I lack.
I only know that he can vanish in an instant and leave no trail or track.

He watches me...and I watch him, until I turn to see he's no longer there.
I'll hear him tonight as I toss in my bed, his howling too daunting to bear.

© 2007, Janice Gilbertson
This poem may not be reprinted or reposted without the author's written permission.

Janice told us, "I know that there are many poems written about coyotes. There is something mystical and elusive about the way they live. I hear them often in the night and sometimes after daylight. Their soulful howls and frenzied yipping always leaves me feeling a bit anxious and 'spooky.' Perhaps I have read too many Native American folk tales about them, or maybe it is just their very real slyness. Whatever the reason, they have a way of unsettling my spirit. So, here is one more coyote poem with some truth to it. I do see one sitting on the side hill behind the house or over on the ridge to the west, from time to time and I feel he knows a lot more about me than I do about him."

 

The Pasture of Frogs

In the magic dust of summertime
When crawly things are in their prime
Lizards, snakes and horny-toads
Leave silly tracks 'cross country roads

Where the ground is baked by hot, hot sun
Bugs and spiders do dare run
To hide in dried-up cowpie shade
Or webby places they have made

You'll not find a drop of moisture, NO
You'll not hear a single sound, although
Mystery lies beneath that ground
For which an answers ne'er been found

When the winter rains first softly fall
It seems to take no time at all
To notice on a moonlit night
They have returned with all their might!

It seems to be their summer fate
They do not croak. They de-hydrate
They shrink like tiny sponges, then
When rain comes...they're back again!

I love to hear their croaky sounds
Their cacophony song abounds
It drifts to me from pasture bogs
And those reconstituted frogs

© 2008, Janice Gilbertson
This poem may not be reprinted or reposted without the author's written permission.

Janice told us, "When I was a kid I would play in the creek for hours on end. I loved watching the little tadpoles, or pollywogs as we called them, turn into teeny tiny frogs. As the seasonal creek receded and left behind spring pools, I would scoop them up in my palms and relocate them to deeper water so they could finish changing to frogdom. When I walked out through the wet pasture grasses, there would be hundreds of little frogs hopping wildly about. Frogs were a big part of my life apparently.

"As summer came on and it grew warmer, the grasses would dry up or be grazed off and the ground would bake hard under a blazing sun. The frogs would disappear slowly and I wouldn't hear them at night anymore. Night songs changed from frogs to crickets. So, where did they all go? Did they die? And if they did, then where did they instantly come from when it rained again in winter? The creek would swell and run in torrents in the winter, so where did those little frog-bound tadpoles come from when the water slowed and ran clear?
I believe I finally solved the mystery."

 

 

Read Janice Gilbertson's

Bring 'em Home Slow with 2007 Cowboy Poetry Week Art Spur poems

and

The Porch Light with 2007 New Year poems

and

The Right Way with 2006 New Year poems

and

 Seein' is Believin'  in our ArtSpur project

and

A "Little Cowboy" Conversation and Bless Ya' for Takin' the Ride, posted with Holiday 2002 poems 

 

Recording

Janice Gilbertson's CD, My Western Point of View, includes:

Cowboy Fast Food
Bossin the Crossing
Endless Trail
Myself the Fool
Joe, You Awake
Shadow Girl
Just Forget It
Down to the Devil's Place
The Nighthawk's Dance
The Ranch Horse
Freedom Ride
The Cowboy of a Little Girl's Heart
Bless Ya for Taking the Ride

My Western Point of View is available for $17 postpaid from:

Janice Gilbertson
43345 Canyon Creek Rd.
King City, CA 93930
email

 

Contact Information

 

 

Janice Gilbertson
43345 Canyon Creek Rd.
King City, CA 93930
email

 

 

www.cowboypoetry.com

 

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