Featured at the Bar-D Ranch


 
© 2011, Shawn Cameron

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It's been said that a picture is worth a thousand words...we know many that are worthy of a poem or a song.  In Art Spur, we invite poets and songwriters to let selections of Western art inspire their poetry and songs.

Our twenty-seventh piece offered to "spur" the imagination is the work of Arizona artist, poet, and fourth-generation rancher Shawn Cameron.


© 2011, Shawn Cameron; this painting should not be reposted or reproduced without permission; shawncameronart.com
Oil
20x24

"Mornings on Horseback"

Shawn Cameron comments:

The subject is our son, Brooks Cameron. It was an early morning in June on the Cataract country south of the Grand Canyon. The light and atmosphere, the work ahead of the all the men, the smell of the livestock, etc. were part of the motivation. The determination these men have as they leave morning after morning, to do whatever needs to be done, is motivation to me personally. It gives me courage to face the day.

It was painted in 2011, sold in a gallery in Bozeman, Montana, and hangs in a professional office in Texas.


Art Spur subjects are meant to inspire poetry and songs; we look for poems and songs inspired by the piece, not necessarily for a literal description of the image or its subject. 

Submissions from all were welcome through Monday, November 21, 2011. Submissions are now closed.

Find the selected poems here.


The 2004 17th Annual Arizona Cowboy Poets Gathering poster featured artist Shawn Cameron's painting, "Along the Santa Maria." The gathering theme was Still Doin' Business. The event's invited poets write poems about the poster painting, and the poems are presented at sessions during the event.

Shawn Cameron and the gathering organizers gave us permission to share the image, and our feature here includes a selection of the poster poems. We are particularly pleased to have Shawn Cameron's own poem in that selection, "Cactus, Sand and Stone (or Corrientes and the Cowboy)."

Find that poem and another, "The Echo of Jangling Spurs," along with our feature about her, here.





About Shawn Cameron
from shawncameronart.com


Like many in her field, Shawn is considered an accomplished professional in the arena of Western Art but her roots run deeper than most when it comes to subject matter. Her work is a passionate reflection of what she knows personally, Western ranch life.

Her family's involvement in the state's cattle business began over 135 years ago. Both sides of her family are Arizona pioneers. Her paternal great-grandfather, James Henry Wingfield, his father, two brothers and their families used oxen to pull their covered wagons west on the Oregon Trail, then traveled south with horse drawn wagons to Arizona crossing the Colorado River with 200 head of cattle in 1875. They settled in the area of Camp Verde. A family brand registered by them in 1885 is reportedly one of the state’s oldest on file.

Her maternal grandfather, John Osborne, rode horseback to Arizona from Kansas in 1908. He obtained work near Globe at the largest ranch in Arizona, the Chiricahua Cattle Company, better known as the "Cherrycows." He moved to general manager in 1915. He eventually owned several ranches and in 1961 was honored as Cattleman of the Year by the Arizona Cattlegrowers Association. That legacy continues as Shawn and Dean’s children carry ranching into the fifth generation.

She credits the Lord, a lifelong love affair with art and a unique family heritage for her perspective of the west. Possessing a deep appreciation for the true cowboy, the elements of his world become an inspiration for her work. There is nobility about him. As Poet Utah Phillips wrote about the cowboy, “If dirt were a kingdom, then he would be king.”

Artistic talent manifested itself at an early age and art education was provided through formal and informal settings. Several mentors were influential but the early encouragement of Joe Beeler, Bill Owen and Robert “Shoofly” Shufelt proved valuable. Others she has studied with include: Jim Wilcox, Dan Robinson, Bill Anton, Mark Daily, Jim Norton CAA, Ron Riddick CAA, Matt Smith, Martin Grelle CAA, Bruce Greene CAA, and sculptor, John Coleman. Her primary medium is oil but she has worked in pencil, watercolor, pastel and clay.

While raising her children on the ranch, she obtained a Bachelors of Education with a minor in Written Expression, yet art remained her first love. She had come to a fork in the road requiring a career decision. It was Dean who provided the counsel, strength and courage she needed to travel the uncharted course of her artistic development. He remains a major source of encouragement and support. After many years in the art world she retains the heart of a student whose goal is continual improvement.

A water tower remodeled into a modern studio near their home, sits on the banks of the Verde River north of Prescott, Arizona. Horses are within a few feet of her door and provide an opportunity to sketch and paint from life. These studies are then taken indoors as painting resources. Material is gathered on family ranches. Her studio paintings include men and livestock with vital connections to the contemporary ranching scene. Her family is often part of this story. Because of her intimate relationship to the animals and cowboys, she takes pride in portraying them accurately.

Several publications have featured Shawn's work including Southwest Art, Western Art Collector, Art of the West and Western Horseman. Her paintings have served as the covers of Equine Art and Western Horseman. The Arizona Cowpuncher's Rodeo and Prescott Cowboy Poetry Gathering are among those that have used her paintings on their posters.

Art Shows she's participated in include the Prix de West at the National Cowboy and Western Heritage Museum in Oklahoma City, Oklahoma; Heart of the West at the National Cowgirl Museum in Ft. Worth, Texas; Cowgirl Up! at the Desert Caballeros Museum in Wickenburg, Arizona and honored as the co-featured artist at the C.M. Russell Auction in Great Falls, Montana. Shawn won her first professional art awards early in her career. In 1992 she received the Phippen Family Award and Second in drawing at the Phippen Memorial Western Art Show. Her work has been recognized in a variety of venues but one she's especially honored by is the 2007 Cowgirl Up! “Artist’s Choice Award.” Her paintings can be seen in Trailside Galleries in Scottsdale, Arizona and Jackson, Wyoming and Tierney Fine Art in Bozeman, Montana.
 

See our feature here for more about Shawn Cameron, which includes additional examples of her work and some of her poetry. Visit her web site, shawncameronart.com, which includes her blog.

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The Art Spur subjects:
     (Find Christmas Art Spur subjects here.)


 Mornings on Horseback  by Shawn Cameron

  After the Gathering  by Betty K. Rodgers

 Pilgrim  by Duward Campbell

  The Little House That Grew  by Jeri Dobrowski

  She's a Hand by Joelle Smith

  Born to This Land by Bill Owen

  Hick's Hereford Heifers  by Tim Cox

copyright 2009 by Lori Faith Merritt ( www.photographybyfaith.com) "Heading In"  Heading Out by Lori Faith Merritt

  The Horse Wrangler Gather’d The Morning Mounts:  "One That Had’n Lived The Life ... Couldn’t Paint a Picture ...To Please The Eye, of One That Had!"  by Bob Coronato

  Scoping the Bosque  by Jennifer M. Ward

  Learnin' the Ropes  by Chanda Snook

  Waxed Jacket by William Matthews

  Sammy by Pat Richardson

  Great Day to be a Cowboy by Don Dane 

  At His Own Pace by Tim Cox 

   Leadin' a Spare  by Jeri Dobrowski  

   Heading Home by Joelle Smith

   At the Jollification  by Dee Strickland Johnson ("Buckshot Dot") 

  Ridin' Out by Kent Rollins

tmpllfrnt.jpg (20086 bytes)  Ponderin' Lines 'n Lyrics  by Tom Morgan

  Dust 'n Tails by Julie Rogers

 

 

 

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